With great pleasure, I welcome Gee Cooper back to the show to discuss the afterlife of Titian. Given his proliferation and international appeal, the works of Titian and his role as court painter had a ripple effect in courts throughout Europe. Among the most important figures is Charles I of England who looked to expand the Royal Collection after a visit to Spain where he saw Titian's poesie series and was permanently changed. The Titian List is the inventory of his works by Titian until his execution and the dispersal of his collection.
Charles I wanted a Titian of his own. He employed Antony Van Dyck as his court painter, who would emulate Titian, reproduce his works, and adjust his own style to the preference of the King.
In this conversation, we cover essential aspects of the poesie series in Spain to understand the impact that it had on Charles I. We then look at two types of Imperial portraiture to determine the direct influence of Titian's work in the seventeenth-century, not merely as items in an inventory, but as a highly praised style that infiltrated courtly painting.
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