January 25, 2024 • 54 mins
In this Podcast Mito takes on Mbogi Ngenje after the motorcycle theft scandal. Mbogi Genje, the famous Kenyan dancehall group talks Kenyan music, their own invented Sheng Language and many more.
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Episode Transcript
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(00:00):
Hey mamba, how are you? I'm amazing. This is T-Time Stories with your favorite host, Apayvi Mito.
This is Culture 808 Podcast, all the way from Kentwood Address,
Runda. Kentwood is located here in Kiambu Road.
If you don't get to Kentwood, you're doing it wrong.
It's not good. Get to Kentwood, man. We promote.
(00:22):
Come and say you're coming to Culture 808. yeah
and you'll see you'll get promotions every now and then you'll get a kentut
yeah you know I bring good people I always bring you amazing people people you
want to see people you want to meet to meet,
(00:44):
I'm Katsa 808 and you know today I'm having a group that is amazing we know
but I know you're not letting us but today you'll know I don't know who I am.
We have to go back to Danny.
Today I have one and only Mboki Kenje. Hey.
(01:04):
Mboki Kenje. Yes, Kuzumbo. Mboki Kenje.
M.G. Lights. You don't know him?
Leave him. Is there anyone you know?
No. Is there anyone you don't know? No. No.
If you don't know him, you have to know him. No, no. Jabba the Boombus.
(01:30):
So Mbogi Genza, do you have three or a big group of people?
Because mostly I see only three of you. Today you are not the only one. Mbogi is big.
Mbogi is for the people of Uli, but there are three stars.
Even if it's a big group, it's in my heart.
(02:19):
Ah, okay. Namuokaune tookimbokita. Inetadrop ndesa. Thank you.
Thank you. Sunday. Sunday. Inetadropapun. Sunday.
Ndatutu wakamukitu Ikairiang. Ikairiang inatutop ndesa.
(02:41):
Baby girl, what a second. Let me tell you guys. Let me tell you.
Uketokia sinabando. I'm a couple kid.
Yeah, so you have people who support you to do your work, like team management,
working on your work, or something.
You're just doing your job, that's all.
(03:05):
I'm not managing myself. I'm freelance. I can still come and play football.
But my fans like to see me play like I do in the streets.
So we don't have our own clubs like football. Thank you.
Wow, okay.
(03:54):
Yeah, you know, we have a lot of fashion and style. Yeah. You have to know that
I'm taking out the rain for it to fall.
Yeah, rain for it to fall. Yeah, that design. Yeah, I see around this job, you've got a bad look.
You look like you're in the middle of the water, you're playing strategies. What is it?
(04:14):
I don't have a good look. I'm not in Korea. But you're wearing clothes that you want.
You're wearing clothes that you want. Yeah, that design. Aikuti film.
Sisi mna ngamu tu. Sisi lazima jo.
Tubu gudengeso. Kama kao. Fweli.
Sama doba po zina mwokalize. Mafansi ona jua. Nivile tutu mezi ndatsu.
(04:37):
Tuko nanguja ii season. Yeah.
Sunday mekafi. Okay. Tazi digilize. Ah kweli.
Mwotsi skuzote. Mita mnasama adi. Maka mta kuliza kitu. Mzijali.
Mzijali. Leo tunenda tuivu kimbuekse. Mzijali.
Islang Enu nyi Ime kujatu Ime kuja aja Like mpaka Mpaka mkanza Kukonektu Maneno
Mnajua ini Nini Nikisema Iwi Na manisha Iwi Sheng Masters Yeah You are Sheng
(05:02):
Ini Ini Lugamari Eti Unadigi.
Wala Wala Unatigi Gini Ka Wala Form Palem Tia Unadigi Lakin Nisa Yani Una Una
Check Yani Mito Lakin Nisa Unapata Yani We have used techniques to come up with that.
(05:25):
So you are technicians? Yes. You can come and look. We have inverted the bands.
They are like a house. When I open the door, I tell you, it's a big house.
It's a big house.
It's a big house. It's a big house.
(05:46):
You can learn. I learned it here in Shanghai. I don't know if it makes sense,
but it makes a lot of sense.
Okay. I saw you dropped there.
According to me, you came back with bad news. According to how I related to
your fans out there, they said you left your house empty.
(06:07):
They were worried about you. I saw you came back with a bad news.
You started a project all the way from Kenya featuring Tanzania.
Tanzania featuring Kenya.
I'm going to go to Rosary.
Like, he was looking for you, obviously. Columbo was Rosamundi's guy.
Yeah, yeah, yeah. He was looking for you?
He was a little Tracy, like a lady. Ah. He was also a bit deep, so we met him.
(06:29):
Mm-hmm. And then we saw his style and MG were just like they were rhyming.
Yeah, yeah, yeah. It was like that. So you're sure his style is like he reached the Bay?
So he's like, my style is MG. Yeah, yeah, yeah. So how much did he reach the
Bay? How much did he reach the Bay?
(07:16):
How are you? I don't
(07:45):
know.
You have a lot of bad luck. I have a lot of bad luck.
I went to school because I didn't know how to do it.
I didn't know how to do it.
(08:06):
You're lying.
You're lying. You're lying.
That's how it is. I don't know, I don't know. But yeah, it's like that.
So you grew up in Iceland? Yeah.
(08:26):
Then you got linked up. How did you get linked up? How did you get linked up?
We got linked up when we found my YouTube channel. I was there.
I saw people We used to see things, we used to see them.
(08:47):
We used to see things like this, the things you pass by, you see them daily.
You see that design. But now, I don't know how to start.
I have a mill, you know. Yeah, yeah. We used to have a mill in Kudoni.
Okay. We used to make our own.
Oh. How many years do you know about the three of them now?
(09:10):
I was 15 years old. 15 years? 15 and a half. Because that video,
that video, I saw them with their shoes on.
They were very young. And 15 years is a long time. Yeah, 15 is a long time. A long time.
Yeah. I was 15 years old. I was 15 years old. 15 years. 15 years is like a teenager.
(09:32):
Yeah. I'm kind of like, I'm going to do design.
Okay, okay, okay. So when you met Vibe, he came to, actually,
Actually, it's like you grew up together.
The vibe came to you. You said, we want to be together like Twinkie Studio.
Why do you keep... Because when you look at many groups of artists,
maybe there are two or three that are still there, they can't sustain themselves
(09:54):
together for a very long time.
What do they do? They don't get along. Maybe one of them doesn't get along.
I've heard that Mbogi has been here for 15 years.
We're very close. That's a lot. That's all I know. That's all I know.
So that's it. I don't have a lot of tolerance.
(10:17):
I know I can't be judgmental. Everyone has their weaknesses.
Everyone has their strengths. You understand?
These are things you don't see. You see, my strength is on the mic. I have to use it.
That strength that I have, I get it when I'm on the stage. I don't want to live it, you know.
Yeah, yeah. And once that we've broken up, I know that's how it ended. Really?
(10:44):
Since you started working, how many times have you worked with a calligrapher?
How many times have you worked with him and still haven't found him?
I don't want to make a difference between women and men. It's a very bad thing.
I don't want to make a difference between women and men. I don't want to make
a difference between women and men.
I don't want to make a difference between women and men. I don't want to make
(11:07):
a difference between women and men.
I don't want to make a difference between women and men.
I don't want to make a difference between women and men.
I don't want to make a difference between women and men. I don't want to make
a difference between women and men.
I don't want to make a difference between women and men. I don't want to make
a difference between women and men. But he's still got a style like Gambu, Givna Diggi.
(11:29):
Yeah, yeah. You know, it's a tough one. Yes. It's tough.
Yeah. Like Mbogigenja, you said the military is coming back today because they had problems.
Though we realized of late that the military was alone. They were alone.
Is there a reason? I don't want to tell people. We don't want to know.
I don't
(12:12):
know.
But you perform at that event of Everton Blender, that Jamboree?
(12:34):
I perform. You perform? Yes. I don't know if you perform on the poster or not. No.
Oh, so it happens there, at the event? It starts today, and it ends on the date.
It's a festival, isn't it? Yes, it's a festival. It's like a tour.
So you perform in six cities?
(12:59):
Nairobi, Kisumu, Mombasa. So you perform in all of them? Or just Nairobi? It's just there.
Okay, cool. I'll check it out. I'll get it there.
It's going to be great. We'll be like college, isn't it? It's going to be great.
Wow, clearly. Nazima.
(13:22):
Nyi nyi ni group, fwani umi kwa, wata umi waishimu, since umi kuja kwa game,
zi umi li kuja na iyo, mbi iyo and everything, na iyo psych.
Of late, there's an issue that's come up. Fans know that they can...
Plus, I think when you brand yourself, fans know that they can trust you. It's true.
(13:44):
You've had to give up today.
Really? You know what I'm talking about.
You know what I'm talking about. There's something that's caught up with you
lately. It's been trending on social media.
So, as you lose the tooth, you'll be direct. Ah, okay.
(14:04):
You mean the motorbike scandal? Yes, the motorbike scandal. Oh.
(14:57):
I don't know.
I don't know.
(15:17):
I don't know if someone can come and accuse you all of a sudden from nowhere.
I don't know. We can't say we don't know a lot.
I'm just a man who brought that design. Oh. Cool.
How far has that story gone?
Did they drop your accusation, or are they still going on with it?
(15:38):
They will finish it with the dance.
They are still investigating.
So, if we don't get caught, we will be caught. We will be caught.
Because according to your image, I think it's appropriate for a lawsuit for false accusation.
(16:23):
This is fate. This is fate. God has given us this mission.
It's not just this journey. God has blessed us with this. It's not just us.
Even our children are trying to fight us.
This is our fate.
It's a clarification. I've heard the news. It's a clarification.
(16:46):
They're making investigations according to what happened. about the false accusation
of them connected with the motorbike thing.
Mwache ku trendisha vituza huangu. Anyway, nobody knows the truth,
but according to them, it has come from their mouth.
So, sisi serikali.
Tukule mziki. Tukule mziki, achaneni na story mingi. Yeah.
(17:13):
Smaddi, mazani cheki, muli piganga warena, pale na kali.
I don't
(17:46):
know.
Fathamo you know that stuff you were talking about the things of the groups
to go to Vunjika Vunjika it's an example of the Mbuzi Gang Mbuzi Gang was Fathamo right?
Mbuzi Gang was Fathamo they left they didn't do anything no Mbuzi Mbuzi they left why?
(18:10):
I don't know if Fathamo is alone anyway I saw I also saw Fathamo I was sitting
there with my shoes and my booties. It was bad.
Any upcoming projects with a celebrity? Let me not say a celebrity,
but let me say a big collaboration.
(18:32):
Who do you want to tell us about? Local, international.
I don't want to tell you about a big collaboration. It's just us.
Local, international. Okay. No collaboration?
No collaboration. So you're still using the same color as your nails?
(18:54):
No, I haven't. Even the international ones we've used.
So you're not even using the same color as your teeth? They're still in the lab. You can't say that.
That's how it is. These days I use this color.
You use this? People hear that. I'm not telling the studio but people hear that.
(19:17):
You heard that?
(19:47):
Instead of hating the game, you're hating the player. That's how you're going to lose.
Hey, I'm sorry I disappeared, Drew. I'm sorry. To my question,
do you know how many people have disappeared and you can't even see them?
No, I'm sorry. How many people have disappeared?
I'm sorry. Can you return me back to the game?
(20:09):
There's no time. They're still not much in the game.
I don't
know how to say it in English.
(20:46):
I'm sorry, but you're right. I'm sorry, but you're right. I'm sorry,
but you're right. I'm sorry, but you're right. I'm sorry, but you're right.
I'm sorry, but you're right. I'm sorry, but you're right. I'm sorry,
but you're right. I'm sorry, but you're right. I'm sorry, but you're right.
I'm sorry, but you're right. I'm sorry, but you're right. I'm sorry,
but you're right. I'm sorry, but you're right. I'm sorry, but you're right.
I'm sorry, but you're right.
(21:08):
I'm sorry, but you're right. I'm sorry, but you're right. I'm sorry,
but you're right. I'm sorry, but you're right. they want the clout and this
is what they want to be there yeah yeah,
And by the way, what do you think of these renders that have come out of the shops?
Like those who are not allowed to wear them.
What do you think? Do you know how to wear them?
(21:32):
Then go and see what you can do with them. You can see them in the kitchen.
Or you can see them in the kitchen.
This is a meditation. Meditation of the anger. Meditation of the anger.
Meditation of the anger.
Meditation of the anger. Meditation of the anger. Meditation of the anger.
Meditation of the anger. Meditation of the anger.
(21:53):
Meditation of the anger. Meditation of the anger. Meditation of the anger.
Meditation of the anger. Meditation of the anger. Meditation of the anger.
Meditation of the anger. Meditation of the anger. Meditation of the anger.
Meditation of the anger. Meditation of the anger.
Meditation of the anger. Meditation of the anger. Meditation of the anger.
Meditation of the anger.
What do you expect? What do you expect? Mbuki, Mbuki, we have an album.
(22:17):
We have an album. Pardon.
You know, we have a video on the way to the school. Yeah, yeah,
go ahead. That's what I'm saying. But we don't have a video on the way.
Yeah. We better try to hit what we are.
Yeah. What do you think? The album is not going to come out at all.
It's not? The single album is not going to come out at all. Yeah.
(22:37):
So, we are going to work. Yeah. And we are going to do a lot of work.
Yeah, Yeah, because in China, we have an event.
We have an event, you know, a bogey festival. We have to come and play.
It's good, you know. It's good. The fans are paying, you know.
Yeah, yeah, yeah. We have to see our fans when we perform. Yeah, it's good, it's good.
(23:04):
And I have another question. I'm from Ngori. We want to see Bogey Genji and
Kadirani collab. Love. Shh. Tukai.
Inazakara. I'm a mishafanya and I'll tell you. Love. Love. Love.
Love. Love. Love. Love. Love.
The collaboration is still going on. Still? The collaboration is still going
on. It's not done yet, you see. Yeah.
(23:25):
If it's done, I hope that I can predict it well. Yeah, yeah.
But still, it's something the fans have requested.
Yeah. I don't know what they're saying.
Yeah. It's going to be unpredictable.
I know the fans are going to be sad. Yeah. I'm going to pray.
I'm going to pray. It's going to be unpredictable. Yeah.
(23:47):
It's not a bad day. We're getting there. Okay. It's not a bad day.
I'm just saying. You see, there's nothing that I'm not doing.
Yeah. Those are the things that I'm doing. Yeah.
I'm not a master 001. Yeah. And I'm not a fadal. Yeah. Thanks.
Did you hear that? Yeah. I heard that. Yeah. I'm already out of respect.
(24:09):
You said earlier that I'm out of respect. Yeah.
Try to forgive me because I'm too smart.
Or we'll see. Forgive me. My name is M.G. Apple.
We'll sign. We'll sign. What do we have left?
Pages. Pages. That's it. Kasipu will come.
(24:32):
Kasipu will come.
Kasipu will come. Do you know Kasipu? Yes.
We'll come and sign. We'll come to Mgenje. Kasipul gun. Kasipul. You want to hear?
Yeah, cool, cool. They say you have talent. Yeah.
(24:53):
No, madam. You have talent. Yeah, we have a fan name, it's called Shakumatic from Germany.
You don't know, Bogi is saying it all the time. What is Shakumatic?
Shakumatic. I need to come with Matik from Germany.
But yeah, that's a bad fan, you know. Mm-hmm.
(25:38):
Apart from music, what do you do? like maybe personally apart from music we
only make music we don't have time to make music,
music is our media it's music, you don't get our life is music so there's nothing
apart from music we have a studio in Tawala,
(25:59):
Wanisa is a pool but there's also merchandise in Ziko,
like the one you're wearing it's
like the one you're wearing I'm also an urban creative I pull up I have a brand
I also have my merchandise I have my own I don't have my own I'm an urban creative I've never bought,
(26:28):
I don't buy my own You buy your own I don't buy my own Next time when they come to the show.
Yeah, I love her.
(27:09):
I don't
even know what I'm saying.
(27:48):
But that's good.
(28:09):
The guy called Ponyinbani. Yes. We've got a crush. Crush on Kapainzi.
I'm talking about the application.
(28:33):
I'm talking about the application. I'm talking about the application.
Because it's all up in the air. I'm not going to stress.
You're welcome. You're welcome. The best things are the best things for my family.
(28:56):
You're right. We have to remember that. Yes.
Because sometimes you see uptown, you see the people who have been killed.
We have all kinds of things. Yes. We have all kinds of things.
We serve a lot of people. Yes. Isn't that right? Yes.
(29:16):
What's your view on excuse me not wadogo like sana but this is your age wanasupport
kukuanamama than just msichana turi mnaonaaja yo story,
maroku wad,
nasiwa watu eshimu wamama wapai,
(29:40):
mtu I don't know.
(30:11):
I don't know
what to
(30:38):
say.
Okay.
(31:07):
Quick one. I'm going to say it one by one. So, between the...
Petra was told by a close friend from the UK.
(31:30):
Her friend told her that she had quit completely.
Petra had quit music? No.
Between Saru, Femiwan, Mandy. What will you do with the collaboration?
I will ask all of them, or I will ask all of them. One of them.
(31:51):
Between the three of you, who do you think will win? I think I will win all of them.
This question is one. You don't have to go with all of them. No, no, no. One of them.
I think we are all one. Three of them. No, this is not three of them.
One of them and three of them. Moja.
(32:17):
Moja is not all.
All are fine. All are fine. No one has lost their life. All are fine.
But you can't say this is what you will do with this collab. What is it?
I will find out. I will find out. I will find out.
(32:38):
I will find out. I will find out. I will find out. I will find out.
You're all fighting.
You're ruining the game. The game is good.
You've stopped saying collab. If you give those three, how much will you accept to be a mother?
(33:03):
I don't know Mama, mama, mama, mama, mama, mama, mama,
mama, mama, mama, mama, mama, mama, mama, mama, mama, mama, mama,
mama, mama, mama, mama, mama, mama, mama, mama, mama, mama, mama,
mama, mama, mama, mama, mama, mama, mama,
mama, mama, mama, mama, mama, mama, mama, mama, mama, mama, mama,
mama, mama, mama, mama, mama, mama, mama, mama, mama, mama, mama,
mama, mama, mama, mama, mama, mama, mama, mama, mama, mama, mama,
mama, mama, mama, mama, mama, mama, mama, mama, mama, mama, mama,
(33:23):
mama, mama, mama, mama, mama, mama, mama, mama, mama, mama, mama,
mama, mama, mama, mama, mama, mama, mama, mama, mama, mama, mama,
mama, mama, mama, mama, mama, mama, mama, mama.
Mama, mama That's my wife.
That's my wife. Yes.
(33:45):
I'm going to take her home.
I'll take her home. Okay. You can give her a little gift. Give her a gift.
And give her... And give her a cup. A cup.
A cup. A present.
(34:07):
Yeah, you're right. You're right. And I want to say this to Eriko Mondi.
Tell him, one day...
One day...
One day... One day... One day... One day...
One day... One day... One day... One day... One day... One day...
(34:27):
One day... One day... One day... One day... One day... One day...
One day... One day... One day... One day... One day... One day...
One day... One day... One day...
One day...
By the way, I thought you were talking about beef. Yeah, beef.
I thought you were talking about beef.
I didn't hear you. Beef gone. Yes, beef. I thought you were talking about beef.
(34:50):
He's down. I'm down.
How did you get the beef and you collaborated?
I was trying to give him the energy. I was trying to give him the energy.
Thank you.
(35:33):
Yeah.
My Rain 4 My Rain 4 My Rain 4 Rain 4 Rain 4 Rain 4 Rain 4 Rain 4 Rain 4 Rain
4 Rain 4 Rain 4 Rain 4 Rain 4 Rain 4 Rain 4,
(35:55):
Rain 4 Rain 4 Rain 4 Rain 4 Rain 4 Rain 4 Rain 4,
Rain 4 Rain 4 Rain 4 location fit utawala or creative studios,
creative up up up up up up up up up up up up up up up up up up up up up up up up up up up up up up up up,
(36:23):
up up up,
up up.
So, if you want to do branding, you can go to Mokaban.
If you want to do audio production, video production, you can go to Mokaban.
(36:48):
And photos? Yes, photos.
And if you want to print your book, you can go to Mokaban.
We asked them if there was anything you were doing on the side.
You're saying it's just art.
Yes. You're saying it's just a business. A business. You're saying it's just
art and a business. You're saying it's just a lot of things.
(37:09):
Maybe a smart guy is an act. Maybe a smart guy is a model.
You're saying it's just art.
Maybe there's a good thing. Yes, good thing. I've heard that there's a rhythm
beat that drops rainfall.
(37:29):
I've heard that a drum drops rainfall. What kind of rhythm is rainfall?
It's called rainfall rhythm. Okay. It's a kind of beats that are creative.
Okay. How do artists get those instrumental sounds?
Okay. As I've seen, many instrumentalists use drums to get the sound. Yeah, yeah.
(38:20):
Nice, nice, nice. And MG, is there anything you've signed?
We don't need to sign artists that we bring here and get them here.
We need artists that are genuine, you see them on the streets,
if you meet someone who has talent, you just have to touch them.
(38:40):
We just want to help them out.
I've seen a lot of artists that we just love to give them collabs.
Instead of signing artists, we just want to help them out.
But there are some who are still in the MG, I don't know if we can sign them,
but they are still in the enslavement.
(39:01):
We will give them a chance.
Nice, nice, nice. They are still moving. They are still moving.
They are still moving. Nice.
So, I believe there was a time when you signed Master VK, because you were making money from projects.
(39:22):
That was signing, but not the kind of things that you can get from the market.
We used to make money from those things, like the people of MTH, they were making money.
But when it comes to reading, you also get from Jashijinga.
So, if I get a job, I'll just be a worker. I just feel like my wife has to help me.
(39:45):
So, if a person works with you, maybe there's a job like that.
Maybe he's still working, so he comes up and he wants to work with you.
He doesn't even know what he's going through.
If you look at him, you'll accept him to work with you. He has to come to you.
Maybe he's a mystery to you.
(40:06):
We have a lot of collaborations that we want to do to help youth,
but right now we are closed because we don't want to be a burden to them. I'm a young man.
So now we're just looking at it. We're just looking at it.
We're just looking at it. You know what I mean? You can just help us.
(40:28):
You can just remember where you came from. You know what I mean?
And we're also looking at things like compatibility.
Yeah. Things like that.
Compatibility a lot. And there are people who choose us. We're just looking at it.
How much is this? Red card. You got a red card. I got a red card on Instagram.
(40:52):
Oh, okay. I'm doing a collaboration with Viotuta.
So, Tato. I can't translate. I can't translate that one. So,
Tato, 300,000. 300,000.
You can give Viotuta. 300. Let me translate. 300,000. Okay. Viotuta.
(41:15):
That one We will try to We will try to International,
3 million So Let's see Let's see Let's see Let's see,
(41:39):
Let's see Let's see Let's see Let's see Let's see Let's see Let's see Let's
see You're giving me a free style.
Free style is good. You can do it here. This is a good size. Nice.
Check. You can do it here. Free style is good.
(42:00):
Free style is good. Free style is good. Free style is good. Yeah.
Five minutes is almost five. You'll be here.
You'll be here. You'll be here. We are recording the album today.
You are recording here and here at Kentwood. We are recording with these mics.
(42:21):
Freestyle can vocalize, but we can't use the Lego mic view.
We are not doing it the way we are used to. This is our way of life.
Before we got access to this, it was a waste.
But now it is a waste. I'm not going to do it again. I'm not going to do it again.
(42:45):
I'm not going to do it again.
I don't want to live in a place like that, bro. Sometimes, I hear you on TV a lot.
You drop a lot. Or it's the people who sit there.
People on TV pay a lot. It's not TV. Sometimes, you know, you have to cover it.
(43:11):
We've reached the end. You're feeding us, but you're not.
No, I'm not. You won't be able to see us.
Until the white people see us, they will know something about us.
Do you have any upcoming events you want to perform this December?
Yes, this year, this year, we are thinking about where we will be. The fans should know.
(43:35):
We have an event here, we have an event on the 16th. The 16th?
We are going to have a book club.
That is your answer? That is my answer. The book club is going to end soon. It's on the 16th.
The 16th. Yes.
It's still on the 9th. It's a short day. It's a short day. Oh,
(44:00):
it's a short day. We're going to have a launch there.
Oh, an EP launch? Cartoon Net. Oh, Cartoon 47. Okay.
So there's still that Everton thing, right? Yes. Yes, that's it.
I don't know.
(44:45):
I don't know what you mean.
(45:14):
I don't know what to do with my hair. Maybe there's someone out there who wants
it. I don't know. It could be a day or two.
Yeah, I know. Boy, I'm a bad boy. Yeah, clearly, clearly, clearly,
clearly. And I'm very fit.
Now, I'm going to Radha. Is it Friday when Radha starts? Yeah,
it's Friday. What are we going to do?
You know, we're going to study. We're going to study, mom.
(45:38):
If I don't study, I'm going to die.
Then we'll go to the bookshop.
Thank you, guys. That's all I have to say. Thank you, guys. Thank you, guys.
Kento. Kento.
(45:59):
Kento.
Kento.
Kento. Kento. Kento. Kento. Kento. Kento. Kento. Kento. Kento.
Kento. Kento. Kento. Kento. Kento. Kento.
Kento. Kento. Kento. I don't know, it's my job.
(46:23):
If you're afraid of something, just cry.
If you're afraid of something, just cry. If you're afraid of something,
just cry. If you're afraid of something, just cry.
I'm not afraid of anything. I heard you're a DJ, I heard your mixes. You're so good.
(46:45):
Rata! Mmm. And for DX, I was playing Black Supremacy.
Yeah, yeah, yeah. Big up. That's my ambition for life.
Yeah. I want to do music, something like Stepping Stone, one day.
Yeah. And probably next year. Yeah. That's when I started mixing.
(47:06):
Oh, that's cool. And I have my own foundation of DJs. I have DJ Jamras.
Oh, nice. DJ Oli Patopo Mta. Okay. DJ Eugene.
Yeah, typical pricing here. Too bad, okay, no wasabi. Oh, no,
no, no, no. Rubo. Hey, Guzu, yeah.
I'm not going to use a guitar. I'm not going to use a mug.
(47:28):
That's DJ. Hey, you're not going to become a scratching fan.
You're not going to be able to.
Sorry, chef. Yeah, that's a good one. Hey, Guzu, what's up, chef? I'm doing a talent tour.
Thank you.
(48:14):
Kwe, kwe, kwe, kwe. You're not doing applications, are you? I'm not doing applications.
I'm not doing applications.
I'm not doing applications.
(48:40):
It's like they're very faithful. I know their brother. And you're the one who's going to go.
Maybe I'm the one who's going to go. I'm going to go.
Yeah,
(49:10):
yeah, yeah.
But you know Bastola, my son, didn't I tell you? I know him from the movies.
(49:30):
The movies are the best for my son. Alaba, yeah. Those are the best.
You know, he's got a rifle in his hand.
That's it, that's it, that's it. Bigo, bigo. I know you like freestyle.
I know you like freestyle. You've stopped giving me freestyle.
I don't know. I don't know. I don't know.
(50:22):
We'll see you next time. But yeah, OnlyFans is a funny... You're last one to pick the key.
No, I don't like OnlyFans. You're the one who has the money.
It's not dangerous. But I like OnlyFans.
(50:44):
You like OnlyFans, but it's not freestyle. We'll get back to it.
We'll get back to it. We'll be back.
(51:20):
La Ringita.
Whoa, whoa, whoa, whoa, whoa. Yeah, Michelle, I'm holding your hand. Tenderness. I saw you.
Yeah. What a prediction, lad. Hey, man, I'm generally, yo, Rain for me,
I'm sitting in the garden.
I'm hydrating like I'm loud. High ground, I'm sitting in the cloud.
Sorry, I'm just a man who's chasing clouds.
(51:42):
Zazki, I'm just a man who's chasing crowds. I'm a buggy fella who drives around.
I'm loud, I'm not talking to my mouth. Man, I'm generally, I'm not talking to my scout.
Hey! Hey! Sound. Sound tingle. Siku zombo tote.
(52:08):
Gumi ni mbuekse. Yeah, yeah, yeah.
Zombo. Siku zombo tote.
Zombo ni... Zombo tote. Siku zombo tote. Gumi ni mbuekse.
You can take it over.
(52:51):
Thank you so much. You're welcome. Whoa.
Fully gauged, body set artist, you know what I'm talking about?
I mean, our fans, they know our style, they know how we do it.
They know that we're not just a few kilos, you know what I'm saying?
So I can beat them, because I can't beat them just like Jitia said.
(53:13):
And I'm not just going to put everything on the top of the list.
(53:46):
Thank you so much. Everyone who tuned in, everyone who's always supporting Culture
808, we appreciate so much and we love you so, so much.
Kamakawa, Kamakawaida, you know, this is Culture 808. All the way from Kent
to the address, Runda, and even to Kiambo Road, you can go to Kent.
If you have sent Culture 808, you have come to the culture 808,
(54:09):
you're going to see wonders.
Miracle, this is the miracle. I'm so tired.
Anyway thank you so much peace,
well done.
Hey mamba, how are you? I'm amazing. This is T-Time Stories with your favorite host, Apayvi Mito.
This is Culture 808 Podcast, all the way from Kentwood Address,
Runda. Kentwood is located here in Kiambu Road.
If you don't get to Kentwood, you're doing it wrong.
It's not good. Get to Kentwood, man. We promote.
(00:22):
Come and say you're coming to Culture 808. yeah
and you'll see you'll get promotions every now and then you'll get a kentut
yeah you know I bring good people I always bring you amazing people people you
want to see people you want to meet to meet,
(00:44):
I'm Katsa 808 and you know today I'm having a group that is amazing we know
but I know you're not letting us but today you'll know I don't know who I am.
We have to go back to Danny.
Today I have one and only Mboki Kenje. Hey.
(01:04):
Mboki Kenje. Yes, Kuzumbo. Mboki Kenje.
M.G. Lights. You don't know him?
Leave him. Is there anyone you know?
No. Is there anyone you don't know? No. No.
If you don't know him, you have to know him. No, no. Jabba the Boombus.
(01:30):
So Mbogi Genza, do you have three or a big group of people?
Because mostly I see only three of you. Today you are not the only one. Mbogi is big.
Mbogi is for the people of Uli, but there are three stars.
Even if it's a big group, it's in my heart.
(02:19):
Ah, okay. Namuokaune tookimbokita. Inetadrop ndesa. Thank you.
Thank you. Sunday. Sunday. Inetadropapun. Sunday.
Ndatutu wakamukitu Ikairiang. Ikairiang inatutop ndesa.
(02:41):
Baby girl, what a second. Let me tell you guys. Let me tell you.
Uketokia sinabando. I'm a couple kid.
Yeah, so you have people who support you to do your work, like team management,
working on your work, or something.
You're just doing your job, that's all.
(03:05):
I'm not managing myself. I'm freelance. I can still come and play football.
But my fans like to see me play like I do in the streets.
So we don't have our own clubs like football. Thank you.
Wow, okay.
(03:54):
Yeah, you know, we have a lot of fashion and style. Yeah. You have to know that
I'm taking out the rain for it to fall.
Yeah, rain for it to fall. Yeah, that design. Yeah, I see around this job, you've got a bad look.
You look like you're in the middle of the water, you're playing strategies. What is it?
(04:14):
I don't have a good look. I'm not in Korea. But you're wearing clothes that you want.
You're wearing clothes that you want. Yeah, that design. Aikuti film.
Sisi mna ngamu tu. Sisi lazima jo.
Tubu gudengeso. Kama kao. Fweli.
Sama doba po zina mwokalize. Mafansi ona jua. Nivile tutu mezi ndatsu.
(04:37):
Tuko nanguja ii season. Yeah.
Sunday mekafi. Okay. Tazi digilize. Ah kweli.
Mwotsi skuzote. Mita mnasama adi. Maka mta kuliza kitu. Mzijali.
Mzijali. Leo tunenda tuivu kimbuekse. Mzijali.
Islang Enu nyi Ime kujatu Ime kuja aja Like mpaka Mpaka mkanza Kukonektu Maneno
Mnajua ini Nini Nikisema Iwi Na manisha Iwi Sheng Masters Yeah You are Sheng
(05:02):
Ini Ini Lugamari Eti Unadigi.
Wala Wala Unatigi Gini Ka Wala Form Palem Tia Unadigi Lakin Nisa Yani Una Una
Check Yani Mito Lakin Nisa Unapata Yani We have used techniques to come up with that.
(05:25):
So you are technicians? Yes. You can come and look. We have inverted the bands.
They are like a house. When I open the door, I tell you, it's a big house.
It's a big house.
It's a big house. It's a big house.
(05:46):
You can learn. I learned it here in Shanghai. I don't know if it makes sense,
but it makes a lot of sense.
Okay. I saw you dropped there.
According to me, you came back with bad news. According to how I related to
your fans out there, they said you left your house empty.
(06:07):
They were worried about you. I saw you came back with a bad news.
You started a project all the way from Kenya featuring Tanzania.
Tanzania featuring Kenya.
I'm going to go to Rosary.
Like, he was looking for you, obviously. Columbo was Rosamundi's guy.
Yeah, yeah, yeah. He was looking for you?
He was a little Tracy, like a lady. Ah. He was also a bit deep, so we met him.
(06:29):
Mm-hmm. And then we saw his style and MG were just like they were rhyming.
Yeah, yeah, yeah. It was like that. So you're sure his style is like he reached the Bay?
So he's like, my style is MG. Yeah, yeah, yeah. So how much did he reach the
Bay? How much did he reach the Bay?
(07:16):
How are you? I don't
(07:45):
know.
You have a lot of bad luck. I have a lot of bad luck.
I went to school because I didn't know how to do it.
I didn't know how to do it.
(08:06):
You're lying.
You're lying. You're lying.
That's how it is. I don't know, I don't know. But yeah, it's like that.
So you grew up in Iceland? Yeah.
(08:26):
Then you got linked up. How did you get linked up? How did you get linked up?
We got linked up when we found my YouTube channel. I was there.
I saw people We used to see things, we used to see them.
(08:47):
We used to see things like this, the things you pass by, you see them daily.
You see that design. But now, I don't know how to start.
I have a mill, you know. Yeah, yeah. We used to have a mill in Kudoni.
Okay. We used to make our own.
Oh. How many years do you know about the three of them now?
(09:10):
I was 15 years old. 15 years? 15 and a half. Because that video,
that video, I saw them with their shoes on.
They were very young. And 15 years is a long time. Yeah, 15 is a long time. A long time.
Yeah. I was 15 years old. I was 15 years old. 15 years. 15 years is like a teenager.
(09:32):
Yeah. I'm kind of like, I'm going to do design.
Okay, okay, okay. So when you met Vibe, he came to, actually,
Actually, it's like you grew up together.
The vibe came to you. You said, we want to be together like Twinkie Studio.
Why do you keep... Because when you look at many groups of artists,
maybe there are two or three that are still there, they can't sustain themselves
(09:54):
together for a very long time.
What do they do? They don't get along. Maybe one of them doesn't get along.
I've heard that Mbogi has been here for 15 years.
We're very close. That's a lot. That's all I know. That's all I know.
So that's it. I don't have a lot of tolerance.
(10:17):
I know I can't be judgmental. Everyone has their weaknesses.
Everyone has their strengths. You understand?
These are things you don't see. You see, my strength is on the mic. I have to use it.
That strength that I have, I get it when I'm on the stage. I don't want to live it, you know.
Yeah, yeah. And once that we've broken up, I know that's how it ended. Really?
(10:44):
Since you started working, how many times have you worked with a calligrapher?
How many times have you worked with him and still haven't found him?
I don't want to make a difference between women and men. It's a very bad thing.
I don't want to make a difference between women and men. I don't want to make
a difference between women and men.
I don't want to make a difference between women and men. I don't want to make
(11:07):
a difference between women and men.
I don't want to make a difference between women and men.
I don't want to make a difference between women and men.
I don't want to make a difference between women and men. I don't want to make
a difference between women and men.
I don't want to make a difference between women and men. I don't want to make
a difference between women and men. But he's still got a style like Gambu, Givna Diggi.
(11:29):
Yeah, yeah. You know, it's a tough one. Yes. It's tough.
Yeah. Like Mbogigenja, you said the military is coming back today because they had problems.
Though we realized of late that the military was alone. They were alone.
Is there a reason? I don't want to tell people. We don't want to know.
I don't
(12:12):
know.
But you perform at that event of Everton Blender, that Jamboree?
(12:34):
I perform. You perform? Yes. I don't know if you perform on the poster or not. No.
Oh, so it happens there, at the event? It starts today, and it ends on the date.
It's a festival, isn't it? Yes, it's a festival. It's like a tour.
So you perform in six cities?
(12:59):
Nairobi, Kisumu, Mombasa. So you perform in all of them? Or just Nairobi? It's just there.
Okay, cool. I'll check it out. I'll get it there.
It's going to be great. We'll be like college, isn't it? It's going to be great.
Wow, clearly. Nazima.
(13:22):
Nyi nyi ni group, fwani umi kwa, wata umi waishimu, since umi kuja kwa game,
zi umi li kuja na iyo, mbi iyo and everything, na iyo psych.
Of late, there's an issue that's come up. Fans know that they can...
Plus, I think when you brand yourself, fans know that they can trust you. It's true.
(13:44):
You've had to give up today.
Really? You know what I'm talking about.
You know what I'm talking about. There's something that's caught up with you
lately. It's been trending on social media.
So, as you lose the tooth, you'll be direct. Ah, okay.
(14:04):
You mean the motorbike scandal? Yes, the motorbike scandal. Oh.
(14:57):
I don't know.
I don't know.
(15:17):
I don't know if someone can come and accuse you all of a sudden from nowhere.
I don't know. We can't say we don't know a lot.
I'm just a man who brought that design. Oh. Cool.
How far has that story gone?
Did they drop your accusation, or are they still going on with it?
(15:38):
They will finish it with the dance.
They are still investigating.
So, if we don't get caught, we will be caught. We will be caught.
Because according to your image, I think it's appropriate for a lawsuit for false accusation.
(16:23):
This is fate. This is fate. God has given us this mission.
It's not just this journey. God has blessed us with this. It's not just us.
Even our children are trying to fight us.
This is our fate.
It's a clarification. I've heard the news. It's a clarification.
(16:46):
They're making investigations according to what happened. about the false accusation
of them connected with the motorbike thing.
Mwache ku trendisha vituza huangu. Anyway, nobody knows the truth,
but according to them, it has come from their mouth.
So, sisi serikali.
Tukule mziki. Tukule mziki, achaneni na story mingi. Yeah.
(17:13):
Smaddi, mazani cheki, muli piganga warena, pale na kali.
I don't
(17:46):
know.
Fathamo you know that stuff you were talking about the things of the groups
to go to Vunjika Vunjika it's an example of the Mbuzi Gang Mbuzi Gang was Fathamo right?
Mbuzi Gang was Fathamo they left they didn't do anything no Mbuzi Mbuzi they left why?
(18:10):
I don't know if Fathamo is alone anyway I saw I also saw Fathamo I was sitting
there with my shoes and my booties. It was bad.
Any upcoming projects with a celebrity? Let me not say a celebrity,
but let me say a big collaboration.
(18:32):
Who do you want to tell us about? Local, international.
I don't want to tell you about a big collaboration. It's just us.
Local, international. Okay. No collaboration?
No collaboration. So you're still using the same color as your nails?
(18:54):
No, I haven't. Even the international ones we've used.
So you're not even using the same color as your teeth? They're still in the lab. You can't say that.
That's how it is. These days I use this color.
You use this? People hear that. I'm not telling the studio but people hear that.
(19:17):
You heard that?
(19:47):
Instead of hating the game, you're hating the player. That's how you're going to lose.
Hey, I'm sorry I disappeared, Drew. I'm sorry. To my question,
do you know how many people have disappeared and you can't even see them?
No, I'm sorry. How many people have disappeared?
I'm sorry. Can you return me back to the game?
(20:09):
There's no time. They're still not much in the game.
I don't
know how to say it in English.
(20:46):
I'm sorry, but you're right. I'm sorry, but you're right. I'm sorry,
but you're right. I'm sorry, but you're right. I'm sorry, but you're right.
I'm sorry, but you're right. I'm sorry, but you're right. I'm sorry,
but you're right. I'm sorry, but you're right. I'm sorry, but you're right.
I'm sorry, but you're right. I'm sorry, but you're right. I'm sorry,
but you're right. I'm sorry, but you're right. I'm sorry, but you're right.
I'm sorry, but you're right.
(21:08):
I'm sorry, but you're right. I'm sorry, but you're right. I'm sorry,
but you're right. I'm sorry, but you're right. they want the clout and this
is what they want to be there yeah yeah,
And by the way, what do you think of these renders that have come out of the shops?
Like those who are not allowed to wear them.
What do you think? Do you know how to wear them?
(21:32):
Then go and see what you can do with them. You can see them in the kitchen.
Or you can see them in the kitchen.
This is a meditation. Meditation of the anger. Meditation of the anger.
Meditation of the anger.
Meditation of the anger. Meditation of the anger. Meditation of the anger.
Meditation of the anger. Meditation of the anger.
(21:53):
Meditation of the anger. Meditation of the anger. Meditation of the anger.
Meditation of the anger. Meditation of the anger. Meditation of the anger.
Meditation of the anger. Meditation of the anger. Meditation of the anger.
Meditation of the anger. Meditation of the anger.
Meditation of the anger. Meditation of the anger. Meditation of the anger.
Meditation of the anger.
What do you expect? What do you expect? Mbuki, Mbuki, we have an album.
(22:17):
We have an album. Pardon.
You know, we have a video on the way to the school. Yeah, yeah,
go ahead. That's what I'm saying. But we don't have a video on the way.
Yeah. We better try to hit what we are.
Yeah. What do you think? The album is not going to come out at all.
It's not? The single album is not going to come out at all. Yeah.
(22:37):
So, we are going to work. Yeah. And we are going to do a lot of work.
Yeah, Yeah, because in China, we have an event.
We have an event, you know, a bogey festival. We have to come and play.
It's good, you know. It's good. The fans are paying, you know.
Yeah, yeah, yeah. We have to see our fans when we perform. Yeah, it's good, it's good.
(23:04):
And I have another question. I'm from Ngori. We want to see Bogey Genji and
Kadirani collab. Love. Shh. Tukai.
Inazakara. I'm a mishafanya and I'll tell you. Love. Love. Love.
Love. Love. Love. Love. Love.
The collaboration is still going on. Still? The collaboration is still going
on. It's not done yet, you see. Yeah.
(23:25):
If it's done, I hope that I can predict it well. Yeah, yeah.
But still, it's something the fans have requested.
Yeah. I don't know what they're saying.
Yeah. It's going to be unpredictable.
I know the fans are going to be sad. Yeah. I'm going to pray.
I'm going to pray. It's going to be unpredictable. Yeah.
(23:47):
It's not a bad day. We're getting there. Okay. It's not a bad day.
I'm just saying. You see, there's nothing that I'm not doing.
Yeah. Those are the things that I'm doing. Yeah.
I'm not a master 001. Yeah. And I'm not a fadal. Yeah. Thanks.
Did you hear that? Yeah. I heard that. Yeah. I'm already out of respect.
(24:09):
You said earlier that I'm out of respect. Yeah.
Try to forgive me because I'm too smart.
Or we'll see. Forgive me. My name is M.G. Apple.
We'll sign. We'll sign. What do we have left?
Pages. Pages. That's it. Kasipu will come.
(24:32):
Kasipu will come.
Kasipu will come. Do you know Kasipu? Yes.
We'll come and sign. We'll come to Mgenje. Kasipul gun. Kasipul. You want to hear?
Yeah, cool, cool. They say you have talent. Yeah.
(24:53):
No, madam. You have talent. Yeah, we have a fan name, it's called Shakumatic from Germany.
You don't know, Bogi is saying it all the time. What is Shakumatic?
Shakumatic. I need to come with Matik from Germany.
But yeah, that's a bad fan, you know. Mm-hmm.
(25:38):
Apart from music, what do you do? like maybe personally apart from music we
only make music we don't have time to make music,
music is our media it's music, you don't get our life is music so there's nothing
apart from music we have a studio in Tawala,
(25:59):
Wanisa is a pool but there's also merchandise in Ziko,
like the one you're wearing it's
like the one you're wearing I'm also an urban creative I pull up I have a brand
I also have my merchandise I have my own I don't have my own I'm an urban creative I've never bought,
(26:28):
I don't buy my own You buy your own I don't buy my own Next time when they come to the show.
Yeah, I love her.
(27:09):
I don't
even know what I'm saying.
(27:48):
But that's good.
(28:09):
The guy called Ponyinbani. Yes. We've got a crush. Crush on Kapainzi.
I'm talking about the application.
(28:33):
I'm talking about the application. I'm talking about the application.
Because it's all up in the air. I'm not going to stress.
You're welcome. You're welcome. The best things are the best things for my family.
(28:56):
You're right. We have to remember that. Yes.
Because sometimes you see uptown, you see the people who have been killed.
We have all kinds of things. Yes. We have all kinds of things.
We serve a lot of people. Yes. Isn't that right? Yes.
(29:16):
What's your view on excuse me not wadogo like sana but this is your age wanasupport
kukuanamama than just msichana turi mnaonaaja yo story,
maroku wad,
nasiwa watu eshimu wamama wapai,
(29:40):
mtu I don't know.
(30:11):
I don't know
what to
(30:38):
say.
Okay.
(31:07):
Quick one. I'm going to say it one by one. So, between the...
Petra was told by a close friend from the UK.
(31:30):
Her friend told her that she had quit completely.
Petra had quit music? No.
Between Saru, Femiwan, Mandy. What will you do with the collaboration?
I will ask all of them, or I will ask all of them. One of them.
(31:51):
Between the three of you, who do you think will win? I think I will win all of them.
This question is one. You don't have to go with all of them. No, no, no. One of them.
I think we are all one. Three of them. No, this is not three of them.
One of them and three of them. Moja.
(32:17):
Moja is not all.
All are fine. All are fine. No one has lost their life. All are fine.
But you can't say this is what you will do with this collab. What is it?
I will find out. I will find out. I will find out.
(32:38):
I will find out. I will find out. I will find out. I will find out.
You're all fighting.
You're ruining the game. The game is good.
You've stopped saying collab. If you give those three, how much will you accept to be a mother?
(33:03):
I don't know Mama, mama, mama, mama, mama, mama, mama,
mama, mama, mama, mama, mama, mama, mama, mama, mama, mama, mama,
mama, mama, mama, mama, mama, mama, mama, mama, mama, mama, mama,
mama, mama, mama, mama, mama, mama, mama,
mama, mama, mama, mama, mama, mama, mama, mama, mama, mama, mama,
mama, mama, mama, mama, mama, mama, mama, mama, mama, mama, mama,
mama, mama, mama, mama, mama, mama, mama, mama, mama, mama, mama,
mama, mama, mama, mama, mama, mama, mama, mama, mama, mama, mama,
(33:23):
mama, mama, mama, mama, mama, mama, mama, mama, mama, mama, mama,
mama, mama, mama, mama, mama, mama, mama, mama, mama, mama, mama,
mama, mama, mama, mama, mama, mama, mama, mama.
Mama, mama That's my wife.
That's my wife. Yes.
(33:45):
I'm going to take her home.
I'll take her home. Okay. You can give her a little gift. Give her a gift.
And give her... And give her a cup. A cup.
A cup. A present.
(34:07):
Yeah, you're right. You're right. And I want to say this to Eriko Mondi.
Tell him, one day...
One day...
One day... One day... One day... One day...
One day... One day... One day... One day... One day... One day...
(34:27):
One day... One day... One day... One day... One day... One day...
One day... One day... One day... One day... One day... One day...
One day... One day... One day...
One day...
By the way, I thought you were talking about beef. Yeah, beef.
I thought you were talking about beef.
I didn't hear you. Beef gone. Yes, beef. I thought you were talking about beef.
(34:50):
He's down. I'm down.
How did you get the beef and you collaborated?
I was trying to give him the energy. I was trying to give him the energy.
Thank you.
(35:33):
Yeah.
My Rain 4 My Rain 4 My Rain 4 Rain 4 Rain 4 Rain 4 Rain 4 Rain 4 Rain 4 Rain
4 Rain 4 Rain 4 Rain 4 Rain 4 Rain 4 Rain 4,
(35:55):
Rain 4 Rain 4 Rain 4 Rain 4 Rain 4 Rain 4 Rain 4,
Rain 4 Rain 4 Rain 4 location fit utawala or creative studios,
creative up up up up up up up up up up up up up up up up up up up up up up up up up up up up up up up up,
(36:23):
up up up,
up up.
So, if you want to do branding, you can go to Mokaban.
If you want to do audio production, video production, you can go to Mokaban.
(36:48):
And photos? Yes, photos.
And if you want to print your book, you can go to Mokaban.
We asked them if there was anything you were doing on the side.
You're saying it's just art.
Yes. You're saying it's just a business. A business. You're saying it's just
art and a business. You're saying it's just a lot of things.
(37:09):
Maybe a smart guy is an act. Maybe a smart guy is a model.
You're saying it's just art.
Maybe there's a good thing. Yes, good thing. I've heard that there's a rhythm
beat that drops rainfall.
(37:29):
I've heard that a drum drops rainfall. What kind of rhythm is rainfall?
It's called rainfall rhythm. Okay. It's a kind of beats that are creative.
Okay. How do artists get those instrumental sounds?
Okay. As I've seen, many instrumentalists use drums to get the sound. Yeah, yeah.
(38:20):
Nice, nice, nice. And MG, is there anything you've signed?
We don't need to sign artists that we bring here and get them here.
We need artists that are genuine, you see them on the streets,
if you meet someone who has talent, you just have to touch them.
(38:40):
We just want to help them out.
I've seen a lot of artists that we just love to give them collabs.
Instead of signing artists, we just want to help them out.
But there are some who are still in the MG, I don't know if we can sign them,
but they are still in the enslavement.
(39:01):
We will give them a chance.
Nice, nice, nice. They are still moving. They are still moving.
They are still moving. Nice.
So, I believe there was a time when you signed Master VK, because you were making money from projects.
(39:22):
That was signing, but not the kind of things that you can get from the market.
We used to make money from those things, like the people of MTH, they were making money.
But when it comes to reading, you also get from Jashijinga.
So, if I get a job, I'll just be a worker. I just feel like my wife has to help me.
(39:45):
So, if a person works with you, maybe there's a job like that.
Maybe he's still working, so he comes up and he wants to work with you.
He doesn't even know what he's going through.
If you look at him, you'll accept him to work with you. He has to come to you.
Maybe he's a mystery to you.
(40:06):
We have a lot of collaborations that we want to do to help youth,
but right now we are closed because we don't want to be a burden to them. I'm a young man.
So now we're just looking at it. We're just looking at it.
We're just looking at it. You know what I mean? You can just help us.
(40:28):
You can just remember where you came from. You know what I mean?
And we're also looking at things like compatibility.
Yeah. Things like that.
Compatibility a lot. And there are people who choose us. We're just looking at it.
How much is this? Red card. You got a red card. I got a red card on Instagram.
(40:52):
Oh, okay. I'm doing a collaboration with Viotuta.
So, Tato. I can't translate. I can't translate that one. So,
Tato, 300,000. 300,000.
You can give Viotuta. 300. Let me translate. 300,000. Okay. Viotuta.
(41:15):
That one We will try to We will try to International,
3 million So Let's see Let's see Let's see Let's see,
(41:39):
Let's see Let's see Let's see Let's see Let's see Let's see Let's see Let's
see You're giving me a free style.
Free style is good. You can do it here. This is a good size. Nice.
Check. You can do it here. Free style is good.
(42:00):
Free style is good. Free style is good. Free style is good. Yeah.
Five minutes is almost five. You'll be here.
You'll be here. You'll be here. We are recording the album today.
You are recording here and here at Kentwood. We are recording with these mics.
(42:21):
Freestyle can vocalize, but we can't use the Lego mic view.
We are not doing it the way we are used to. This is our way of life.
Before we got access to this, it was a waste.
But now it is a waste. I'm not going to do it again. I'm not going to do it again.
(42:45):
I'm not going to do it again.
I don't want to live in a place like that, bro. Sometimes, I hear you on TV a lot.
You drop a lot. Or it's the people who sit there.
People on TV pay a lot. It's not TV. Sometimes, you know, you have to cover it.
(43:11):
We've reached the end. You're feeding us, but you're not.
No, I'm not. You won't be able to see us.
Until the white people see us, they will know something about us.
Do you have any upcoming events you want to perform this December?
Yes, this year, this year, we are thinking about where we will be. The fans should know.
(43:35):
We have an event here, we have an event on the 16th. The 16th?
We are going to have a book club.
That is your answer? That is my answer. The book club is going to end soon. It's on the 16th.
The 16th. Yes.
It's still on the 9th. It's a short day. It's a short day. Oh,
(44:00):
it's a short day. We're going to have a launch there.
Oh, an EP launch? Cartoon Net. Oh, Cartoon 47. Okay.
So there's still that Everton thing, right? Yes. Yes, that's it.
I don't know.
(44:45):
I don't know what you mean.
(45:14):
I don't know what to do with my hair. Maybe there's someone out there who wants
it. I don't know. It could be a day or two.
Yeah, I know. Boy, I'm a bad boy. Yeah, clearly, clearly, clearly,
clearly. And I'm very fit.
Now, I'm going to Radha. Is it Friday when Radha starts? Yeah,
it's Friday. What are we going to do?
You know, we're going to study. We're going to study, mom.
(45:38):
If I don't study, I'm going to die.
Then we'll go to the bookshop.
Thank you, guys. That's all I have to say. Thank you, guys. Thank you, guys.
Kento. Kento.
(45:59):
Kento.
Kento.
Kento. Kento. Kento. Kento. Kento. Kento. Kento. Kento. Kento.
Kento. Kento. Kento. Kento. Kento. Kento.
Kento. Kento. Kento. I don't know, it's my job.
(46:23):
If you're afraid of something, just cry.
If you're afraid of something, just cry. If you're afraid of something,
just cry. If you're afraid of something, just cry.
I'm not afraid of anything. I heard you're a DJ, I heard your mixes. You're so good.
(46:45):
Rata! Mmm. And for DX, I was playing Black Supremacy.
Yeah, yeah, yeah. Big up. That's my ambition for life.
Yeah. I want to do music, something like Stepping Stone, one day.
Yeah. And probably next year. Yeah. That's when I started mixing.
(47:06):
Oh, that's cool. And I have my own foundation of DJs. I have DJ Jamras.
Oh, nice. DJ Oli Patopo Mta. Okay. DJ Eugene.
Yeah, typical pricing here. Too bad, okay, no wasabi. Oh, no,
no, no, no. Rubo. Hey, Guzu, yeah.
I'm not going to use a guitar. I'm not going to use a mug.
(47:28):
That's DJ. Hey, you're not going to become a scratching fan.
You're not going to be able to.
Sorry, chef. Yeah, that's a good one. Hey, Guzu, what's up, chef? I'm doing a talent tour.
Thank you.
(48:14):
Kwe, kwe, kwe, kwe. You're not doing applications, are you? I'm not doing applications.
I'm not doing applications.
I'm not doing applications.
(48:40):
It's like they're very faithful. I know their brother. And you're the one who's going to go.
Maybe I'm the one who's going to go. I'm going to go.
Yeah,
(49:10):
yeah, yeah.
But you know Bastola, my son, didn't I tell you? I know him from the movies.
(49:30):
The movies are the best for my son. Alaba, yeah. Those are the best.
You know, he's got a rifle in his hand.
That's it, that's it, that's it. Bigo, bigo. I know you like freestyle.
I know you like freestyle. You've stopped giving me freestyle.
I don't know. I don't know. I don't know.
(50:22):
We'll see you next time. But yeah, OnlyFans is a funny... You're last one to pick the key.
No, I don't like OnlyFans. You're the one who has the money.
It's not dangerous. But I like OnlyFans.
(50:44):
You like OnlyFans, but it's not freestyle. We'll get back to it.
We'll get back to it. We'll be back.
(51:20):
La Ringita.
Whoa, whoa, whoa, whoa, whoa. Yeah, Michelle, I'm holding your hand. Tenderness. I saw you.
Yeah. What a prediction, lad. Hey, man, I'm generally, yo, Rain for me,
I'm sitting in the garden.
I'm hydrating like I'm loud. High ground, I'm sitting in the cloud.
Sorry, I'm just a man who's chasing clouds.
(51:42):
Zazki, I'm just a man who's chasing crowds. I'm a buggy fella who drives around.
I'm loud, I'm not talking to my mouth. Man, I'm generally, I'm not talking to my scout.
Hey! Hey! Sound. Sound tingle. Siku zombo tote.
(52:08):
Gumi ni mbuekse. Yeah, yeah, yeah.
Zombo. Siku zombo tote.
Zombo ni... Zombo tote. Siku zombo tote. Gumi ni mbuekse.
You can take it over.
(52:51):
Thank you so much. You're welcome. Whoa.
Fully gauged, body set artist, you know what I'm talking about?
I mean, our fans, they know our style, they know how we do it.
They know that we're not just a few kilos, you know what I'm saying?
So I can beat them, because I can't beat them just like Jitia said.
(53:13):
And I'm not just going to put everything on the top of the list.
(53:46):
Thank you so much. Everyone who tuned in, everyone who's always supporting Culture
808, we appreciate so much and we love you so, so much.
Kamakawa, Kamakawaida, you know, this is Culture 808. All the way from Kent
to the address, Runda, and even to Kiambo Road, you can go to Kent.
If you have sent Culture 808, you have come to the culture 808,
(54:09):
you're going to see wonders.
Miracle, this is the miracle. I'm so tired.
Anyway thank you so much peace,
well done.
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