July 1, 2020 • 93 mins
Today we're taking a look at Holiday (1938), arguably the most understated of Cary Grant and Katharine Hepburn's four films together. We discuss the early years and muses of playwright Philip Barry, Holiday's role in launching Hepburn's career, her contentious but unwavering friendship with director George Cukor, and we finally have a legitimate reason to talk about Lew Ayres — plus Candice serves up another edition of her Puppet Corner and tackles the ultimate question: is it weird that Edward Everett Horton lived with his mom?
Candice would like to clarify that she is aware she mixed up Lewis Milestone and Jacques Tourneur in her Night of the Demon (1957) anecdote and is suitably repentant. Please don't haunt us, Jacques Tourneur.
Show Notes & Sources: https://wp.me/pbeIfn-9F
Theme Music by Kevin MacLeod (https://incompetech.filmmusic.io): "Dark Hallway (Distressed)" and "The Show Must Be Go"
Candice would like to clarify that she is aware she mixed up Lewis Milestone and Jacques Tourneur in her Night of the Demon (1957) anecdote and is suitably repentant. Please don't haunt us, Jacques Tourneur.
Show Notes & Sources: https://wp.me/pbeIfn-9F
Theme Music by Kevin MacLeod (https://incompetech.filmmusic.io): "Dark Hallway (Distressed)" and "The Show Must Be Go"
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